Showing results 41-80 of 329
Todd McFarlane's "Amazing Spider-Man" is the comic that brought Augie into comics. 25 years later, he's going back to review that run, issue by issue.
Augie looks at the classic "Daredevil: The Man Without Fear" from Frank Miller and John Romita Jr., and Francois Schuiten's work returns to English!
Augie drew a page of sequential art and survived! Barely. He shares with you what he's learned in the process. Also: A backpack fairy!
Augie praises "Black Science" as being one of the rare comics he can't find fault with. Why settle for any less?
Augie reviews Frank Miller/Todd McFarlane "Spawn/Batman" - it's a lot of fighting. France has a winner and "The Fuse" is a promising new series!
Augie reviews the multi-million selling "Asterix and the Picts" and looks over Dynamite's Deadpool-influenced "Bad Ass."
Augie has a new theory he wants to test: Can he tell how visually appealing a book will be simply by looking at the colors of its thumbnails?
While drawing Smurfs earlier this week, Augie learned some lessons about art from the works of Rob Liefeld.
Head to Victorian England for a beautifully drawn book following two street urchins having amazing adventures. Plus, what's Dark Horse's next move?
Augie reviews a pair of Carl Barks' Donald Duck Christmas classics, and then reviews the year in Pipeline!
Is too weird good enough? Which comics publisher is wildly, though quietly, successful? Which Ant-Man for the movies? And a few bits more!
Miracleman gets recolored! BOOM! goes big! Conventional wisdom debunked! Four really good comics from 2013! And lots more!
Though well shot and impressive for the creators cooperation, "Image Revolution " ultimately tries to cover too much in too short a time.
As he rearranges his bookcase, Augie has thoughts on how it mirrors his tastes & affects his focus. When's the last time you switched things up?
Augie shares some of his experiments with inking, explaining why he's doing it and how it relates to his reviews.
Augie explains Cliff Rathburn's contributions to "The Walking Dead," an early look at the new Smurfs Anthology and fun with IDW's Artist's Editions.
Augie goes searching for a "Smurfs" video and comes back with amazing French cartoon improv from the 70s.
A photo parade from a very different type of crowd, how the French market books and the bittersweet story of a young girl and her best friend, the germ
Augie looks at a pair of books aimed at younger audiences: Chip Kidd's guide to graphic design, and Papercutz' "Dance Class" gag-a-page graphic novel.
Augie concludes his New York Comic Con adventures with a look at the translated books he picked up, people he spoke with and the second half of his photos.
Augie went to NYCC this weekend and brought back a photo parade. Find out why he decided to stop fighting and learn to love the cosplay.
New York Comic Con brings crazier-then-ever marketing! Photorealism versus abstraction! French comics sell millions of copies! Face front, True Believers - it's Pipeline time!
Augie weighs the chances for success of the new She-Hulk title and dives back into the behind the scenes contentiousness on the original "X-Force" all as he plans for New York Comic Con,
Augie travels back in time to the end of Rob Liefeld's "New Mutants" run and embraces the fantasy of superhero comics over modern realism. Plus, some recent interesting lettering samples.
As "Previews" hits #300, Augie looks back at an old copy of the catalog from 1994 and finds some fun stuff:, including Miracleman, Cerebus, fun Image ads and an Archie cover sketch.
A photography-obsessed Augie sees a camera in "Danger Girl" and take a deep dive into its level of authenticity. Plus: Harley Quinn, Godwin's Law, new fonts and more!
Struck by a page of Jim Steranko's art from "Nick Fury, Agent of S.H.I.E.L.D.," Augie breaks down the legendary artist's storytelling to see what he can learn.
Augie looks at a pair of Humanoids offerings this week: The romantic dramedy "Bluesy Lucy" and the noir dark comedy, "Bad Breaks." Plus, updates on "The Smurfs" and Steve Uy's "Feather."
Is bigger better? Augie takes a close look at "The Smurfs Anthology" from Papercutz, and evaluates digest-format experiments from Image's "Savage Dragon" and Marvel's "Spellbinders."
Mike Wieringo passed away six years ago this week, and Augie remembers the artist's beloved stint on "Fantastic Four," specifically the widescreen scope of the three-issue "Fourtitude" arc.
Augie takes a look at the classic Chris Claremont/Frank Miller 'Wolverine' mini-series and realizes something about Miller's art. Also, coloring, storytelling, and planning for NYCC (already?!?)
Augie goes back a decade to Marvel's experiment with "Eden's Trail," a sideways comic from Steve Uy and Chuck Austen presented in the Marvelscope format. Plus, Uy's stronger follow-up series, "Feather."
Augie looks back at this year's Comic-Con International in San Diego from his vantage point in New Jersey to see how Hall H is changing, how the con might expand and if there were any winners to be had.
Augie begins a new series looking at the experiments Marvel took in the early 2000s. This week, he focuses on "Gus Beezer" and "Black Widow." One works much better than the other, but both are worthy experiments.
Augie declares Image PIPELINE's winner of Comic-Con International two weeks ahead of schedule, thanks to their DRM-free comics. He also analyzes Jason Howard's art on "Scatterlands" and much more!
On the celebration of this year's Image Expo, Augie caught up on his Image Comics reading stack. Today, he goes over 15 books of recent note, including a few which won't be released until next week.
This week, Augies spends some time in France - well, with the French comic series "Orbital," at least - before heading back stateside to look at how letterers present translated dialogue.
Augie pulls Joe Quesada and Jimmy Palmiotti's "Ash" out of his longbox archives and is transported back to a garish time in computer production, as well as a series that didn't quite live up to its hype.
Augie is confused by Marvel's Ultimate Comics Universe and locates the problem with the publishing program. Also, can DC repeat Marvel's lessons from their late 90s comeback?
Augie dissects a couple pages of Darwyn Cooke's "Catwoman" artwork to discover how cinematic storytelling can blend together with comic book idioms to make for great comics.