Ellis & Masters' 007 Has All the Vices the "James Bond" Films No Longer Allow
Comic Books, Film
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There are some rough edges on "Superboy" right now, but nothing that can't be fixed.
No more happy endings.
"Motel Art Improvement Service" is a modern "Nancy Drew," only with sex and drugs and defacement of bad hotel art.
"American Vampire" continues to have a lot of bite.
"Sweet Tooth" is good not only because of its overall plot and action, but because of its heart.
It's not a bad setup, but at the same time it's hard to keep from feeling like remarkably little happens here.
After a fun first half, "JSA All-Stars" and its spotlight on Cyclone grinds to a conclusion.
An issue of "RASL" is always worth the wait.
You know from the start what the conclusion of this issue will be, and yet it's still somewhat entertaining.
Quarantines, as it turn out, make for a great X-Men line-up.
"Teen Titans" is on the road to fun again. How'd that happen?
"Conan the Cimmerian" draws to a close with a muted conclusion.
"What are we missing?" is an apt but unfortunate rallying cry for this book, in more ways than one.
A sequel (or is that prequel?) to issue #6, as Captain Atom takes another trip into the future where Max Lord succeeded.
"Action Comics" continues to bring a lot of fun, even without that much action.
Hope you like exposition, because "Green Lantern" is serving up a whole lot of it with a side of talking.
It's pretty to look at and kind of cute, but understand in advance that there's virtually no plot here.
The conceit of the comic is a little hard to swallow, but Jeff Parker does his best job of selling it.
Straczynski tries to make a point about every-day heroes, but it gets lost in the melodrama.
Not quite as strong as Tony Daniel's previous "Batman" issues, but by the end it's showing promise.