DC Announces New Limited Series For Swamp Thing, Poison Ivy, Firestorm And More
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The start of a two-parter focusing on C-list villain the Carpenter is pleasantly fun, even with a surprise pair of scripters.
"Brightest Day" is still a big jumble of storylines, one that's yet to gain cohesiveness.
"Zatanna" kicks off with a great first act to a magical show.
Hisae Iwaoka's story of window washers in space is one of the best comics you'll read all year.
"X-Factor Forever" loses some steam at the halfway point, but it still makes me miss Louise Simonson's "X-Factor."
A flashback to Snow White and Rose Red's childhood is nice, if slightly sedate.
It's nice to see a "Brightest Day" banner on a book that is about the methodical murder of a super-hero.
In which everything happens exactly as you expected.
"Pantheon" shows an improvement in issue #2, but it's still not quite there.
"The Flash" is fun so far, but so far it's also surprisingly predictable
"Batman: The Return of Bruce Wayne" kicks off with a strong stone age issue, and promises to just keep getting better.
"Frenemy of the State" has a great concept and title, but it's a decidedly middle of the road debut.
"X-Men: Hellbound" #1 is almost all set-up for the rest of this mini-series, which means a slightly boring start but some potential later.
"Secret Six" is telling its most disturbing story to date, and that's saying a lot.
Remove the gimmick from "House of Mystery" #25, and you unfortunately end up with an unmemorable issue.
Everything comes screeching to a halt in the latest "Second Coming" chapter, and it's a moment that might have gone over a bit later.
"Batman and Robin" turns the intensity up even higher, if such a thing is possible.
"Hellboy in Mexico" is a little light on story, but it makes up for it in some of the smaller details.
The story is starting to improve in "Ghost Projekt," but the big draw still remains the gorgeous art from Steve Rolston.
If you've never read "The Last Unicorn" (nor seen the movie), this seems like a good way to start.