INTERVIEW: DiDio & Lee on "Dark Knight 3," Vertigo's Future & DC's Evolving Readership
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The life of a great writer in a book not well written; ooh, sweet irony.
“Black Panther” makes a transition here into a frenetic action flick with bizarre science experiment monsters on the periphery.
Loki sets up Marvel characters like dominoes and it’s going to be fun watching them bump into each other to create the bigger picture.
It’s a front row seat to a perfect shoot out and the undeniable change of three main characters.
There’s a contest to see who’s more ineffective, Michelangelo or Leonid. I guess we’ll have to wait and see who Uatu sides with.
Mallory just won’t shut up – bet he podcasts for four hour stretches at a time.
Easily one of the best issues of the year. This book is an example of exactly what comics can be and do.
Then I guess everything’s wrapped up in a neat little package.
The strength of Fury’s glorious scene alone is just enough to carry the rest of this set-up issue.
An eclectic mix of the best pulp money can buy. Support the dying art of the anthology by buying the best one on the stands.
Shakespeare just got seriously trippy. Grab your black lights and recreational medicines and head into the final battle between the world’s greatest writer and his creations.
What happens when your resident killer won’t kill your resident pretty boy who has taken to killing? Answer: good comics.
The Thunderbolts face their worst fears, and the Beta Team gets their greatest opportunity all while creepy Germans and reanimated Iraqis try to kill them.
Vampirella gets on the pole and works with some religious zealots, all while teaching kids about internet spam.
Loki is working up to something big and here he traps his very metal steed.
Not only does this comic not entertain but it doesn’t even really earn the stripes to come full circle.
The Black Panther and Vlad showdown, again, and there aren’t many shocks as this arc winds up.
An all-ages romp that brings the free funny in glorious four color fashion.
HYDRA never stood a chance when written this generically. For shame.
The central thesis of the series is presented, but in a very dull manner.