First Look At Kodi Smit-McPhee As Nightcrawler In "X-Men: Apocalypse"
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It’s a little bit retro-pulp and a little bit superspy crucible. Buy it.
Hickman’s greatest issue on this title yet, it’s a poignant set of moments in the history of the “Fantastic Four” that look simply gorgeous in every panel.
The Bard makes an appearance that satisfies after the wait, and the creepiest papier mache monsters ever will rob your soul.
If you like classic Conan art then this issue is going to please you to no end.
Different takes on these two characters all show us the same thing: these guys are fun.
Jake Ellis might just be my favorite new character of this year. He’s creepy, intriguing, and a great comic delight.
Proof is distracted by Mecha-Zoidberg while Ginger gets an inverted “Kill Bill” mission forced on her.
Matt Murdock as played by Earl Hickey’s idea of what Chuck Norris does in Texas.
This is a female “Punisher” by way of “Mad Men.” While the violence is kinetic, it’s the internal mystery that intrigues.
Zack Overkill inches one step closer to…a confrontation or revelation or…something.
Rick’s life gets better as the state of the community gets worse. There be no synergy in this curs’d land.
Iron Fist is back on the page, finally, and this is old school fun.
Strange’s first night in the Sanctum Sanctorum is plagued by some demon magic. Par for the course, really.
Cap punches zombie-Bucky in the face. That’s a metaphor for the quality of this issue.
Borrowing preserved dongs and killing with car radiators full of holy water. Buckle up, son!
It’s like a gauntlet of cryptids to be run and you get the very real feeling someone might just die.
“The Boys” isn’t producing good spin-off minis, which makes it harder when one good, extended, scene is hidden in these six issues.
Vader is a bad ass, always. That’s the rule, but I kind of wish they’d break it.
Pearl stresses over the love of her husband and Hattie can’t find her old friend, this week on a very special issue of “American Vampire.”
Alien suits fight a lot but, apart from the very last page, it’s all very pedestrian.