Ryan Reynolds Debuts Official "Deadpool" Suit
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It’s funny when a title is so ironic like this, even if it’s not intentional.
Chief McCogan is an onion, with layers, and the smell of blood in Las Vegas makes eyes water.
Da Vinci becomes a midwife to the stars and Nostradamus is laying some foundations for the future.
There are talking monkeys in A.I.M. suits and a Puerto Rican hero emerges.
This neo-steampunk horror show has a pulp heart, a literate brain, and a very interesting look.
War becomes a battlefield and this agent turns lover into weapons of mass destruction.
While a necromancer turns his body into a shrine of magic, our hero spins his wheels and doesn’t travel far.
Dead politicians carve a web around the Widow that’s full of counter-agents and spy-fu.
Like an ouroboros hydra, everything Hickman has done so far connects with itself, and all hope lies in Doom.
It’s a simple start that would have been more interesting if it had been skipped.
Steve Rogers gives us the low down on every Marvel hero you can think of in play right now. With stats!
Hughie spills his guts, but this tale just feels generic in so many ways.
The Muppets make some Holmes of their own, but they certainly don’t own it.
"Daredevil" talks about what it’s going to do but only delivers two strong scenes, both with Dakota North.
Plenty of dropped story opportunities give this title little bite.
Hamlet’s fighting internally while everyone else externalizes their Shakespearean rage.
This Stumptown PI plays whatever cards available to not get sucked into the contrail of this family’s case.
An ultraviolent ninja interlude that sets up but doesn’t knock down, though it does leave you about to topple.
Deadpool writes his own fan-fic and entertains himself with explosions and plenty of stock action tropes.