Rob Liefeld On Reuniting With Deadpool For Film & An All-New Comic Adventure
Film, Comic Books
Jen is from Texas, so don’t try to pass off your crappy inferior barbecue from anywhere else on her. She’s got an art and art history background, so she’s more likely than not to bore you by blabbering on about composition and depth of field. Jen been addicted to consuming sequential art since late middle school. Other hobbies include eating, baking and cooking, watching cartoons, being Asian and eagerly anticipating whatever project Joss Whedon does next.
FIRST COMIC: "X-Force" #34
FAVORITE CHARACTER: Spider Jerusalem and filthy assistants Channon and Yelena from "Transmetropolitan," Thessaly/Larissa in "Sandman," Zoe in "Morning Glories"
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"Atomic Robo and The Ring of Fire" #1 "is up to Brian Clevinger and Scott Wegener's usual high standard."
"The ending of G. Willow Wilson and Adrian Alphona's 'Ms. Marvel' #18 is splendid, surpassing most cliffhangers in its narrative power."
Jonathan Hickman and Ryan Bodenheim's "The Dying & the Dead" #3 "has a great combination of old tropes and new twists, wild daring and earnest outlook."
Marc Guggenheim and Justin Greenwood "nail the character introductions" in "Stringers" #1, "a solid debut."
Marguerite Bennett, Felipe Smith, Gurihiru, Kris Anka and more make "Secret Wars: Secret Love" #1 "one of the best extras to come out of Secret Wars."
In "Injection" #4, "Warren Ellis and Declan Shalvey's work is ambitious and skillful enough to reward engagement and commitment."
Brian K. Vaughan and Steve Skroce's "We Stand on Guard" #2 has "effective and powerful storytelling."
"The highlights of Noelle Stevenson and Sanford Green's 'Runaways' #2 remain the humor, dialogue and the team dynamic."
"Like Gavin, Brian Wood and Danijel Zezelj's 'Starve' #2 has got a revolutionary bent along with all the swearing and booze."
Curt Pires and David Rubin's "The Fiction" #1 "has a clear, strong voice" and "ambitious, powerful themes."
Marian Churchland and Brandon Graham's "8house: Arclight" #1 "is another example of jewel box-like world building."
"Jeff Loveness and Brian Kesinger are delightfully imaginative with the troubles they concoct" in "Groot" #1.
Kate Leth, Sarah Vaughn, Sarah Kuhn, Arielle Jovellanos, Sarah Winifred Searle and Sally Jane Thompson's "Fresh Romance" #1 is "a solid debut overall."
Greg Rucka and Cully Hamner's "Convergence: The Question" #2 is "a rare creature: an event comic that manages to foreground its own story."
Jeff Lemire and Dustin Nguyen's "Descender" #3 "is contemplative and a little melancholy but ready for wonder."
Greg Rucka & Michael Lark's "Lazarus" #16 "advances the plot, enriches the world-building and provides a quiet beat in the larger arc."
"Romance is very difficult to get right in any medium, but G. Willow Wilson and Takeshi Miyazawa nail it" in "Ms. Marvel" #14.
"Hickman and Bodenheim's comic timing and panel composition are superb" in "The Dying and the Dead" #2.
Becky Cloonan, Brenden Fletcher, Karl Kerschl and Mingue Helen Chen's "Gotham Academy" #6 is "light, bright and full of mischievous promise."
John Allison and Lissa Treiman "create a fresh start for this new miniseries" in "Giant Days" #1.
In Greg Rucka and Nicola Scott's "Black Magick" #2, Detective Rowan Black faces suspicion from the I.A.B., but she's got bigger problems from a much more ancient enemy that seems to have learned new tricks.
In John Layman and Rob Guillory's "Chew" #52, Tony Chu and John Colby are on a new FDA mission that sends them back to Yamapalu and into the orbit of Mason Savoy.
"Secrets Wars Too" #1 is an anthology of humorous stories set in Battleworld by various creative teams. Each has its funny moments, but there's one standout.
In G. Willow Wilson, Takeshi Miyazawa and Adrian Alphona's "Ms. Marvel" #1, Kamala Khan has growing pains as she becomes "Super Famous" and confronts changes in her friends, her neighborhood and herself.
In Phillip Kennedy Johnson and Matthew Dow Smith's "Last Sons of America" #1, an epidemic of infertility leads to a dangerously high rise in the demand for adoptable kids.
In Gilbert Hernandez and Darwyn Cooke's "The Twilight Children" #2, Tito's wandering eye and choice of men has newer, more dangerous consequences, while Bundo and Felix's investigation of the orbs lead to more supernatural occurre
In Ed Brubaker and Steve Epting's "Velvet" #12, Velvet and her former colleagues at ARC-7 match wits as with each side tries to play the other.
Rob Williams and Mike Dowling's "Unfollow" #1 finds the inheritance of a vast fortune divided up through social media.
Gail Simone and Jon Davis-Hunt's "Clean Room" #1 begins a horror story about the perils of faith combined with a cult of personality.
In Warren Ellis and Gerardo Zaffino's "Karnak" #1, Agent Coulson persuades Karnak to assist two parents whose son had been exposed to the Terrigan Mists.
In Faith Erin Hicks and Rosemary Valero-O'Connell's "Lumberjanes: Beyond Bay Leaf" #1, the girls encounter a ghost-like pony and a woman who thinks she can offer a deal they can't turn down.
In Nick Spencer and Daniel Acuña's "Captain America: Sam Wilson" #1, Sam leaves S.H.I.E.L.D. and strikes out on his own.
In Brian K. Vaughan and Cliff Chiang's "Paper Girls" #1, four paper girls on their regular delivery route encounter thugs, a hostile cop and a machine that may be from outer space.
In Jody Houser and Luke Ross' "The Cavalry: S.H.I.E.L.D. 50th Anniversary" #1, Melinda May takes a batch of new recruits onto the Sickle training grounds, where a fake hostage situation turns into a real crisis.
In Mark Waid and Fiona Staples' "Archie" #3, Veronica Lodge makes her debut at Riverdale High, much to the dismay of Jughead, who promptly enlists Betty in a scheme to save Archie from himself.
In Grant Morrison and Chris Burnham's "Nameless" #5, Nameless learns about his past and discovers why and how he lost his name.
In Noelle Stevenson and Sanford Greene's "Runaways" #4, the Runaways return to the Institute to deliver a message to all the other students and Sanna must face the teammates she betrayed.
In Marc Guggenheim and Freddie Williams II's "The Infinite Adventures of Jonas Quantum" #1, a hero smart enough to cure death meets his match in a villain smart enough to steal that knowledge.
In "Black Canary" #4 by Brenden Fletcher and Pia Guerra, Dinah goes after Ditto's kidnapper and a high-stakes chase turns into a moving origin story.
In "Atomic Robo and The Ring of Fire" #1 by Brian Clevinger and Scott Wegener, the Action Scientists regroup to find Robo, who has been missing for the last two years.