SDCC: "Batman: The Killing Joke" Cast & Crew Debuts Film at Comic-Con International
Jen is from Texas, so don’t try to pass off your crappy inferior barbecue from anywhere else on her. She’s got an art and art history background, so she’s more likely than not to bore you by blabbering on about composition and depth of field. Jen been addicted to consuming sequential art since late middle school. Other hobbies include eating, baking and cooking, watching cartoons, being Asian and eagerly anticipating whatever project Joss Whedon does next.
FIRST COMIC: "X-Force" #34
FAVORITE CHARACTER: Spider Jerusalem and filthy assistants Channon and Yelena from "Transmetropolitan," Thessaly/Larissa in "Sandman," Zoe in "Morning Glories"
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Jeff Lemire and Dustin Nguyen's "Descender" #3 "is contemplative and a little melancholy but ready for wonder."
Greg Rucka & Michael Lark's "Lazarus" #16 "advances the plot, enriches the world-building and provides a quiet beat in the larger arc."
"Romance is very difficult to get right in any medium, but G. Willow Wilson and Takeshi Miyazawa nail it" in "Ms. Marvel" #14.
"Hickman and Bodenheim's comic timing and panel composition are superb" in "The Dying and the Dead" #2.
Becky Cloonan, Brenden Fletcher, Karl Kerschl and Mingue Helen Chen's "Gotham Academy" #6 is "light, bright and full of mischievous promise."
John Allison and Lissa Treiman "create a fresh start for this new miniseries" in "Giant Days" #1.
"The excellence of the visual storytelling makes Cameron Stewart, Brenden Fletcher and Bengal's 'Batgirl: Endgame' #1 worth checking out."
As Soule and Pulido's "She-Hulk" concludes with its 12th issue, the series' ending is "saccharine, but not bad words to live by, like most classic morals."
Despite some hit-or-miss execution, Thompson and Lee's "Silk" #1 "has strong humor and unusually fine attention to psychological realism."
"The Sculptor," which marks Scott McCloud's long-awaited return to comics, is "unpredictable and enjoyably complex."
John Layman and Rob Guillory's "Chew" #45 is a strong issue that contains "one of the biggest shocks" in the series' history.
Ed Brubaker & Steve Epting's "Velvet" #8 is "suspenseful from start to finish due to great creative teamwork" from the entire team.
John Layman & Rob Guillory "still deliver on jokes and characterization, while serving up an unprecedented level of non-comedic carnage" in "Chew" #44.
G. Willow Wilson and Adrian Alphona's "Ms. Marvel" #9 continues the series' strong run with "addictively good characterization and dialogue."
Charles Soule and Javier Pulido's "She-Hulk" #8 is a "smooth, very enjoyable opening to a new story arc."
Peter David and Will Sliney's "Spider-Man 2099" #1 is "a solid debut, and will appeal both to existing fans of the character and new readers."
The milestone issue of "X-Men Legacy" by Simon Spurrier, Mike Carey & Christos Gage is appropriately "about what it means to leave a legacy."
Kieron Gillen, Jamie McKelvie and a host of guest artists present "Young Avengers" #14, with "a pitch-perfect party moment" for the cast.
"Alex + Ada" creators Jonathan Luna and Sarah Vaughn's "have followed up on a promising debut with an even better second issue."
Scott Snyder and Sean Murphy continue their deep ocean mystery in "The Wake" #4 from Vertigo Comics, morphing it into "visually spectacular survival horror" in an issue with a fitting cliffhanger.
In Warren Ellis and Declan Shalvey's "Injection" #6, Vivek Headland takes a new case that leads to an unwelcome discovery about a recently delivered ham from a butcher in Brooklyn.
In Ed Brisson and Lisandro Estherren's "The Last Contract" #1, a hitman is reluctantly pushed out of retirement when someone leaks a list of his previous kills.
In Mark Waid and Veronica Fish's "Archie" #5, Betty and Jughead recruit Reggie Mantle for their plan to rescue Archie from Veronica.
Fabian Nicieza and Reilly Brown's "Deadpool & Cable: Split Second" #1 reunites the two titular characters, who first met in the pages of "New Mutants" and "X-Force."
In Greg Rucka and Michael Lark's "Lazarus" #21, the fortunes of the Carlyle Family take a turn for the better, not once but thrice.
In John Layman and Rob Guillory's "Chew" #53, Tony Chu and Mason Savoy eat and chat, with bizarre and dangerous results.
In Brandon Montclare, Amy Reeder and Natacha Bustos' "Moon Girl and Devil Dinosaur" #2, Lunella needs to prevent Devil Dinosaur from taking away her Kree Omni-Wave Projector.
In Holly Black and Lee Garbett's "Lucifer" #1, the Devil rides into town, but it's not long until an old acquaintance comes after him with a flaming sword.
In Grant Morrison and Dan Mora's "Klaus" #2, Klaus defies the Baron and delivers Yuletide gifts to children.
In Marjorie Liu and Sana Takeda's "Monstress" #2, Maika is pursued by the ruthless Mother Superior and her Inquisitrixes and gains some allies, even though she'd prefer to operate solo.
In James Robinson and Vanesa Del Rey's "Scarlet Witch" #1, Wanda makes a new home in New York City and an investigation of some violent deaths leads her to a more alarming discovery.
In Paul Tobin and Alberto J. Alburquerque's "Mystery Girl" #1, a girl named Trine can solve any mystery without leaving her own sidewalk, but -- for once -- she gets a question so interesting she's willing to leave home to see the answ
In Tom King and Gabriel Hernandez Walta's "The Vision" #2, all of the Visions try to cope with the attack on Viv. Their difficulties are soon compounded by a mystery and a different kind of attack.
In Greg Rucka and Nicola Scott's "Black Magick" #2, Detective Rowan Black faces suspicion from the I.A.B., but she's got bigger problems from a much more ancient enemy that seems to have learned new tricks.
In John Layman and Rob Guillory's "Chew" #52, Tony Chu and John Colby are on a new FDA mission that sends them back to Yamapalu and into the orbit of Mason Savoy.
"Secrets Wars Too" #1 is an anthology of humorous stories set in Battleworld by various creative teams. Each has its funny moments, but there's one standout.
In G. Willow Wilson, Takeshi Miyazawa and Adrian Alphona's "Ms. Marvel" #1, Kamala Khan has growing pains as she becomes "Super Famous" and confronts changes in her friends, her neighborhood and herself.
In Phillip Kennedy Johnson and Matthew Dow Smith's "Last Sons of America" #1, an epidemic of infertility leads to a dangerously high rise in the demand for adoptable kids.
In Gilbert Hernandez and Darwyn Cooke's "The Twilight Children" #2, Tito's wandering eye and choice of men has newer, more dangerous consequences, while Bundo and Felix's investigation of the orbs lead to more supernatural occurre
In Ed Brubaker and Steve Epting's "Velvet" #12, Velvet and her former colleagues at ARC-7 match wits as with each side tries to play the other.