8 Marvel Movie Fights That Kicked All the Ass
Comic Books, Film
Jen is from Texas, so don’t try to pass off your crappy inferior barbecue from anywhere else on her. She’s got an art and art history background, so she’s more likely than not to bore you by blabbering on about composition and depth of field. Jen been addicted to consuming sequential art since late middle school. Other hobbies include eating, baking and cooking, watching cartoons, being Asian and eagerly anticipating whatever project Joss Whedon does next.
FIRST COMIC: "X-Force" #34
FAVORITE CHARACTER: Spider Jerusalem and filthy assistants Channon and Yelena from "Transmetropolitan," Thessaly/Larissa in "Sandman," Zoe in "Morning Glories"
Showing results 46-65 of 503
As Soule and Pulido's "She-Hulk" concludes with its 12th issue, the series' ending is "saccharine, but not bad words to live by, like most classic morals."
Despite some hit-or-miss execution, Thompson and Lee's "Silk" #1 "has strong humor and unusually fine attention to psychological realism."
"The Sculptor," which marks Scott McCloud's long-awaited return to comics, is "unpredictable and enjoyably complex."
John Layman and Rob Guillory's "Chew" #45 is a strong issue that contains "one of the biggest shocks" in the series' history.
Ed Brubaker & Steve Epting's "Velvet" #8 is "suspenseful from start to finish due to great creative teamwork" from the entire team.
John Layman & Rob Guillory "still deliver on jokes and characterization, while serving up an unprecedented level of non-comedic carnage" in "Chew" #44.
G. Willow Wilson and Adrian Alphona's "Ms. Marvel" #9 continues the series' strong run with "addictively good characterization and dialogue."
Charles Soule and Javier Pulido's "She-Hulk" #8 is a "smooth, very enjoyable opening to a new story arc."
Peter David and Will Sliney's "Spider-Man 2099" #1 is "a solid debut, and will appeal both to existing fans of the character and new readers."
The milestone issue of "X-Men Legacy" by Simon Spurrier, Mike Carey & Christos Gage is appropriately "about what it means to leave a legacy."
Kieron Gillen, Jamie McKelvie and a host of guest artists present "Young Avengers" #14, with "a pitch-perfect party moment" for the cast.
"Alex + Ada" creators Jonathan Luna and Sarah Vaughn's "have followed up on a promising debut with an even better second issue."
Scott Snyder and Sean Murphy continue their deep ocean mystery in "The Wake" #4 from Vertigo Comics, morphing it into "visually spectacular survival horror" in an issue with a fitting cliffhanger.
The debut issue of the "Batman: Black and White" revival is "unexpectedly light and funny" with stories from a diverse roster of creators and featuring characters across the Batman mythos.
Nick Spencer and Joe Eisma's "Morning Glories" #30 continues the series' newest storyarc for a well-plotted and drawn issue with excellent pacing that "will keep the reader guessing" about Irina's past.
At the NYCC Gay Marriage in Comics Panel, Paul Kupperberg, Dan Parent, Joan Hilty and Phil Jimenez discussed the controversy and representation, Queer vs. Gay comics and Kevin Keller's high school love life.
Adam Kubert and Anthony Marquez spoke about the Kubert School, its curriculum and the pursuit and rewards of an artistic profession during a panel at New York Comic Con 2012.
The Women of Marvel panel at NYCC 2012 had a great mix of editors and writers including Editor Jeanine Schaefer, writer Marjorie Liu, colorist Jordie Bellaire and more discussing the contribution of women to comics.
Dark Horse Comics' capped its video game-based comics panel at NYCC with Neil Druckmann and Faith Erin Hicks announcing and discussing their upcoming comic adaptation of "The Last of Us."
In Gilbert Hernandez and Darwyn Cooke's "The Twilight Children" #2, Tito's wandering eye and choice of men has newer, more dangerous consequences, while Bundo and Felix's investigation of the orbs lead to more supernatural occurre
In Ed Brubaker and Steve Epting's "Velvet" #12, Velvet and her former colleagues at ARC-7 match wits as with each side tries to play the other.
Rob Williams and Mike Dowling's "Unfollow" #1 finds the inheritance of a vast fortune divided up through social media.
Gail Simone and Jon Davis-Hunt's "Clean Room" #1 begins a horror story about the perils of faith combined with a cult of personality.
In Warren Ellis and Gerardo Zaffino's "Karnak" #1, Agent Coulson persuades Karnak to assist two parents whose son had been exposed to the Terrigan Mists.
In Faith Erin Hicks and Rosemary Valero-O'Connell's "Lumberjanes: Beyond Bay Leaf" #1, the girls encounter a ghost-like pony and a woman who thinks she can offer a deal they can't turn down.
In Nick Spencer and Daniel Acuña's "Captain America: Sam Wilson" #1, Sam leaves S.H.I.E.L.D. and strikes out on his own.
In Brian K. Vaughan and Cliff Chiang's "Paper Girls" #1, four paper girls on their regular delivery route encounter thugs, a hostile cop and a machine that may be from outer space.
In Jody Houser and Luke Ross' "The Cavalry: S.H.I.E.L.D. 50th Anniversary" #1, Melinda May takes a batch of new recruits onto the Sickle training grounds, where a fake hostage situation turns into a real crisis.
In Mark Waid and Fiona Staples' "Archie" #3, Veronica Lodge makes her debut at Riverdale High, much to the dismay of Jughead, who promptly enlists Betty in a scheme to save Archie from himself.
In Grant Morrison and Chris Burnham's "Nameless" #5, Nameless learns about his past and discovers why and how he lost his name.
In Noelle Stevenson and Sanford Greene's "Runaways" #4, the Runaways return to the Institute to deliver a message to all the other students and Sanna must face the teammates she betrayed.
In Marc Guggenheim and Freddie Williams II's "The Infinite Adventures of Jonas Quantum" #1, a hero smart enough to cure death meets his match in a villain smart enough to steal that knowledge.
In "Black Canary" #4 by Brenden Fletcher and Pia Guerra, Dinah goes after Ditto's kidnapper and a high-stakes chase turns into a moving origin story.
In "Atomic Robo and The Ring of Fire" #1 by Brian Clevinger and Scott Wegener, the Action Scientists regroup to find Robo, who has been missing for the last two years.
In G. Willow Wilson and Adrian Alphona's "Ms. Marvel" #18, Kamala and Captain Marvel try to save Aamir from the clutches of Kamran and the end of the world draws nearer.
In "Deadpool vs. Thanos" #1 by Tim Seeley and Elmo Bondoc, Thanos threatens to take his gift of immortality away from the Merc With a Mouth.
In Jonathan Hickman and Ryan Bodenheim's "The Dying and the Dead" #3, Hitler, Mussolini and Hirohito eat a pig together in Germany as the origin of Bah al'Sharur is revealed.
Michael Benedetto, Antonio Fuso and Emilio Lecce's "Drive" #1 is a comics adaptation of James Sallis' cult novel of the same name, in which the main character, known only as the Driver, copes with the fallout of a heist gone wrong.
"Stringers" #1 by Marc Guggenheim and Justin Greenwood begins an urban crime story about two freelance reporters who are chasing a piece of news action when they hook a bigger story than they may be able to handle.