"Deadpool" Sequel in Motion, Screenwriters to Return
Jen is from Texas, so don’t try to pass off your crappy inferior barbecue from anywhere else on her. She’s got an art and art history background, so she’s more likely than not to bore you by blabbering on about composition and depth of field. Jen been addicted to consuming sequential art since late middle school. Other hobbies include eating, baking and cooking, watching cartoons, being Asian and eagerly anticipating whatever project Joss Whedon does next.
FIRST COMIC: "X-Force" #34
FAVORITE CHARACTER: Spider Jerusalem and filthy assistants Channon and Yelena from "Transmetropolitan," Thessaly/Larissa in "Sandman," Zoe in "Morning Glories"
Showing results 6-25 of 479
John Layman and Rob Guillory's "Chew" #53 "maintains its happy zaniness and manic energy throughout."
"Grant Morrison and Dan Mora keep the suspense taut throughout 'Klaus' #2 with expert pacing."
Marjorie Liu and Sana Takeda's "Monstress" #2 "rewards [readers] with its luxuriant detail and ambitious breadth."
"Tom King and Gabriel Hernandez Walta's 'The Vision' #2 continues to be the big surprise in Marvel's All-New, All-Different relaunch."
"If the rest of the opening arc is just as strong, Greg Rucka and Nicola Scott's 'Black Magick' will easily be one of the best new titles of 2015."
"Even after the big boss battle, there's no dip in quality from this remarkably reliable creative team" in John Layman and Rob Guillory's "Chew" #52.
G. Willow Wilson, Takeshi Miyazawa and Adrian Alphona's "Ms. Marvel" #1 "is still one of the best reads on the stands."
Ed Brubaker and Stev Epting's "Velvet" #12 "is a satisfying issue, up to the usual high standards of the creative team and well worth the wait."
Gail Simone and Jon Davis-Hunt's "Clean Room" #1 has "a killer hook" with "efficient, expert pacing and tight structure."
Warren Ellis and Gerardo Zaffino's "Karnak" #1 "is a must-read for its art and sharp wit."
Faith Erin Hicks and Rosemary Valero-O'Connell's "Lumberjanes: Beyond Bay Leaf" #1 "is a fast read, but its emotional depth makes it memorable."
Brian K. Vaughan "writes natural-feeling, easily flowing rhythms of speech" and "Cliff Chiang's linework is... very expressive" in "Paper Girls" #1.
"The new 'Archie' continues live up to the hype" in Mark Waid and Fiona Staples' "Archie" #3.
"The relationships between the characters drive the energy of the story" in Noelle Stevenson and Sanford Green's "Runaways" #4.
In DC Comics' "Black Canary" #4, writer Brenden Fletcher and guest artist Pia Guerra tell the origin of singer-turned-villain Bo Maeve.
"Atomic Robo and The Ring of Fire" #1 "is up to Brian Clevinger and Scott Wegener's usual high standard."
"The ending of G. Willow Wilson and Adrian Alphona's 'Ms. Marvel' #18 is splendid, surpassing most cliffhangers in its narrative power."
Jonathan Hickman and Ryan Bodenheim's "The Dying & the Dead" #3 "has a great combination of old tropes and new twists, wild daring and earnest outlook."
Marc Guggenheim and Justin Greenwood "nail the character introductions" in "Stringers" #1, "a solid debut."
Marguerite Bennett, Felipe Smith, Gurihiru, Kris Anka and more make "Secret Wars: Secret Love" #1 "one of the best extras to come out of Secret Wars."
In Emily Partridge, Pranas Naujokaitis and Natalie Andrewson's "Adventure Time: Ice King" #1, Gunther is missing and Ice King receives a mysterious ransom note that leads him into Wizard City.
In Marc Guggenheim and Germán Peralta's "Agents of S.H.I.E.L.D." #1, Tony Stark party-crashes Project Pegasus to find Agent Coulson after the Pentagon is attacked.
In Warren Ellis and Declan Shalvey's "Injection" #6, Vivek Headland takes a new case that leads to an unwelcome discovery about a recently delivered ham from a butcher in Brooklyn.
In Ed Brisson and Lisandro Estherren's "The Last Contract" #1, a hitman is reluctantly pushed out of retirement when someone leaks a list of his previous kills.
In Mark Waid and Veronica Fish's "Archie" #5, Betty and Jughead recruit Reggie Mantle for their plan to rescue Archie from Veronica.
Fabian Nicieza and Reilly Brown's "Deadpool & Cable: Split Second" #1 reunites the two titular characters, who first met in the pages of "New Mutants" and "X-Force."
In Greg Rucka and Michael Lark's "Lazarus" #21, the fortunes of the Carlyle Family take a turn for the better, not once but thrice.
In John Layman and Rob Guillory's "Chew" #53, Tony Chu and Mason Savoy eat and chat, with bizarre and dangerous results.
In Brandon Montclare, Amy Reeder and Natacha Bustos' "Moon Girl and Devil Dinosaur" #2, Lunella needs to prevent Devil Dinosaur from taking away her Kree Omni-Wave Projector.
In Holly Black and Lee Garbett's "Lucifer" #1, the Devil rides into town, but it's not long until an old acquaintance comes after him with a flaming sword.
In Grant Morrison and Dan Mora's "Klaus" #2, Klaus defies the Baron and delivers Yuletide gifts to children.
In Marjorie Liu and Sana Takeda's "Monstress" #2, Maika is pursued by the ruthless Mother Superior and her Inquisitrixes and gains some allies, even though she'd prefer to operate solo.
In James Robinson and Vanesa Del Rey's "Scarlet Witch" #1, Wanda makes a new home in New York City and an investigation of some violent deaths leads her to a more alarming discovery.
In Paul Tobin and Alberto J. Alburquerque's "Mystery Girl" #1, a girl named Trine can solve any mystery without leaving her own sidewalk, but -- for once -- she gets a question so interesting she's willing to leave home to see the answ
In Tom King and Gabriel Hernandez Walta's "The Vision" #2, all of the Visions try to cope with the attack on Viv. Their difficulties are soon compounded by a mystery and a different kind of attack.
In Greg Rucka and Nicola Scott's "Black Magick" #2, Detective Rowan Black faces suspicion from the I.A.B., but she's got bigger problems from a much more ancient enemy that seems to have learned new tricks.
In John Layman and Rob Guillory's "Chew" #52, Tony Chu and John Colby are on a new FDA mission that sends them back to Yamapalu and into the orbit of Mason Savoy.
"Secrets Wars Too" #1 is an anthology of humorous stories set in Battleworld by various creative teams. Each has its funny moments, but there's one standout.
In G. Willow Wilson, Takeshi Miyazawa and Adrian Alphona's "Ms. Marvel" #1, Kamala Khan has growing pains as she becomes "Super Famous" and confronts changes in her friends, her neighborhood and herself.
In Phillip Kennedy Johnson and Matthew Dow Smith's "Last Sons of America" #1, an epidemic of infertility leads to a dangerously high rise in the demand for adoptable kids.