Finn Wields a Lightsaber in New "Star Wars: The Force Awakens" Footage
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Curt Pires and David Rubin's "The Fiction" #1 "has a clear, strong voice" and "ambitious, powerful themes."
Marian Churchland and Brandon Graham's "8house: Arclight" #1 "is another example of jewel box-like world building."
"Jeff Loveness and Brian Kesinger are delightfully imaginative with the troubles they concoct" in "Groot" #1.
Kate Leth, Sarah Vaughn, Sarah Kuhn, Arielle Jovellanos, Sarah Winifred Searle and Sally Jane Thompson's "Fresh Romance" #1 is "a solid debut overall."
Greg Rucka and Cully Hamner's "Convergence: The Question" #2 is "a rare creature: an event comic that manages to foreground its own story."
Jeff Lemire and Dustin Nguyen's "Descender" #3 "is contemplative and a little melancholy but ready for wonder."
Greg Rucka & Michael Lark's "Lazarus" #16 "advances the plot, enriches the world-building and provides a quiet beat in the larger arc."
"Romance is very difficult to get right in any medium, but G. Willow Wilson and Takeshi Miyazawa nail it" in "Ms. Marvel" #14.
"Hickman and Bodenheim's comic timing and panel composition are superb" in "The Dying and the Dead" #2.
Becky Cloonan, Brenden Fletcher, Karl Kerschl and Mingue Helen Chen's "Gotham Academy" #6 is "light, bright and full of mischievous promise."
John Allison and Lissa Treiman "create a fresh start for this new miniseries" in "Giant Days" #1.
"The excellence of the visual storytelling makes Cameron Stewart, Brenden Fletcher and Bengal's 'Batgirl: Endgame' #1 worth checking out."
As Soule and Pulido's "She-Hulk" concludes with its 12th issue, the series' ending is "saccharine, but not bad words to live by, like most classic morals."
Despite some hit-or-miss execution, Thompson and Lee's "Silk" #1 "has strong humor and unusually fine attention to psychological realism."
"The Sculptor," which marks Scott McCloud's long-awaited return to comics, is "unpredictable and enjoyably complex."
John Layman and Rob Guillory's "Chew" #45 is a strong issue that contains "one of the biggest shocks" in the series' history.
Ed Brubaker & Steve Epting's "Velvet" #8 is "suspenseful from start to finish due to great creative teamwork" from the entire team.
John Layman & Rob Guillory "still deliver on jokes and characterization, while serving up an unprecedented level of non-comedic carnage" in "Chew" #44.
G. Willow Wilson and Adrian Alphona's "Ms. Marvel" #9 continues the series' strong run with "addictively good characterization and dialogue."
Charles Soule and Javier Pulido's "She-Hulk" #8 is a "smooth, very enjoyable opening to a new story arc."
In "We Stand on Guard" #2 by Brian K. Vaughan and Steve Skroce, Amber enters the headquarters of Two-Four and the Americans take more Canadians to the Basement.
"Hacktivist Volume 2" #1 by Collin Kelly, Jackson Lanzing and Marcus To picks up six months after the events of the first "Hacktivist" miniseries, when .sve_urs3lf reemerges.
In "Lazarus" #18 by Greg Rucka and Michael Lark, Forever and Casey Solomon's fire team fight to keep Carlyle's hold on Duluth, a city that is strategically crucial the war with Hock.
In "Star-Lord and Kitty Pryde" #1 by Sam Humphries and Alti Firmansyah, Boy Meets Girl again in the different time and place, but will their love survive?
In Kyle Higgins, Alec Siegel and Rod Reis' "C.O.W.L." #11, key members of the team leave by pink slip or by choice, and the Grey Raven's resolute and idealistic speech by night is followed by an ugly deed by night.
"Island" #1, the debut issue of a creator-owned anthology of original comics, has stories by Brandon Graham, Emma Ríos, Ludroe and a eulogy by Kelly Sue DeConnick.
In "Inhumans: Attilan Rising" #3 by Charles Soule and John Timms, Black Bolt fights Medusa and the Quiet Room is attacked.
In "Runaways" #2 by Noelle Stevenson and Sanford Greene, Team Puce takes the final exam, but their unorthodox survival tactic unveils a terrible secret about the Victor Von Doom Institute.
"Starve" #2 by Brian Wood and Danijel Zezelj follows Gavin back into the culinary television arena as he pursues the contradictory but curiously compatible goals of making a comeback and teaching his audience a lesson.
"Will Eisner's The Spirit" #1 by Matt Wagner and Dan Schkade brings back the crime-fighting hero 75 years after his first appearance.
"Chew" #50 by John Layman and Rob Guillory is the big one: the epic battle to the death between Tony Chu and his arch-nemesis, the Collector.
"E is for Extinction" by Chris Burnham and Ramon Villalobos explores what would have happened if Xavier had died during Grant Morrison's original run on "New X-Men."
In "Jem and the Holograms" #4 by Kelly Thompson and Sophie Campbell, Stormer and Kimber meet secretly and Clash goes forward with a sabotage plan.
In G. Willow Wilson and Adrian Alphona's "Ms. Marvel" #16, Kamran goes looking for Kamala as she tries to protect her family and fellow citizens in the "Last Days" of Jersey City.
In "The Fiction" #1 by Curt Pires and David Rubín, a book is a portal to both magic and horror when one person in a group of four friends disappears in childhood and, fifteen years later, another one also vanishes.
In "Injection" #2 by Warren Ellis and Declan Shalvey, Maria asks for a sandwich, Vivek declines a sandwich and Simeon breaks some heads, but it's still not clear what the Injection is.
In "Long Distance" #1 by Thom Zahler, a hyper kid in a Batman costume makes it possible for ad agency artist Carter Blue and scientist Lee Smith to fall in love.
"Age of Reptiles: Ancient Egyptians" #1 by Ricardo Delgado is a wordless story that follows the adventures of a lonely but cunning Spinosaurus in prehistoric Egypt.
In "8house: Arclight" #1 by Brandon Graham and Marian Churchland, a noble lady has switched bodies with an alien monster and hides in the borderlands of her kingdom.
In "Groot" #1 by Jeff Loveness and Brian Kesinger, Groot and Rocket Raccoon try to hitchhike to Earth with unpredictable and hilarious results.