LOOK: Frank Miller's "Dark Knight III" Wraparound Variant Revealed
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Jonathan Hickman and Esad Ribic's "Secret Wars" #4 i"s full of micro-level character defining moments that... make for high midterm marks."
Chuck Palahniuk and Cameron Stewart "find new elements to explore that few had even realized existed" in "Fight Club 2" #2.
Hitch's "Justice League of America" #1 "has a few blemishes but it's a strong start to a new and worthwhile companion series... to 'Justice League.'"
"The strong characterization makes a case for Marc Guggenheim and Carlos Pacheco's 'Squadron Sinister' to stick around."
Robert Venditti and CAFU's "X-O Manowar: Valiant 25th Anniversary Special" #1 is "a key moment in the character's history."
Jason Aaron and Mike Del Mundo's "Weirdworld" #1 "is one of the most fertile and opulent 'Secret Wars' tie-ins thus far."
Dan Jurgens and Bernard Chang's "Batman Beyond" #1 "smoothly blends elements from both the current and future Bat-mythos."
Marc Guggenheim and Carmine Di Giandomencio "X-Tinction Agenda" #1 "is what such an event spinoff should be: accessible and enjoyable."
Tom DeFalco, Dan Parent, Rich Koslowski, Fernando Ruiz, Tim Kennedy and Pat Kennedy's "Archie" #666 is "not a farewell, but a tribute to the franchise."
Mark Waid and Peter Krause "prove that there are still good and original superhero stories left to be told" in "Insufferable" #1.
In "Injection" #1, "Warren Ellis and Declan Shalvey establish a basis for the series that makes it attractive enough to lure readers back."
Frank Barbiere and Christopher Peterson's "Broken World" #1 is "an amazingly strong start."
Alex Paknadel and Eric Scott Pfeiffer's "Arcadia" #1 has "a script that throws in some surprises combined with some darkly fascinating art."
Ales Kot and Adam Gorham's "Dead Drop" #1 is "a refreshing rollercoaster of an introduction."
Scott Snyder & Greg Capullo's "Batman" #40 is "a fiery, violent and game changing climax that opens up new possibilities for the protector of Gotham."
Mark Waid and Barry Kitson's "Empire: Uprising" #1 is "the welcome and triumphant return of a long-missed series."
Cullen Bunn and Tyler Crook's "Harrow County" #1 is "an enticing enough start that blends a couple of diverse genres with a distinct setting that helps overcome its weak points."
Matt Hawkins and Rahsan Ekedal's "The Tithe" #1 is "a strong and approachable story with a fresh flavor."
Todd McFarlane, Brian Holguin and Clayton Crain's "Savior" #1 has "strong characterization and beautiful art."
Snyder, Tynion, Pansica, Ferreira & crew's "Batman Eternal" #52 is a "tense and satisfying finish to the far-reaching and game changing arc."
In "The Beauty" #1, Jeremy Haun and Jason A. Hurley craft a story about the world's first disease that people want to contract and the rich story examining its fallout.
Charles Soule keeps "Civil War" #2 mostly within its own sphere despite its status as a "Secret Wars" tie-in, and Leinil Francis Yu makes it look appropriately dark and moody in this low-key but well-characterized chapter.
Mark Millar, Davide Gianfelice and Francesco Mortarino continue world building in "Jupiter's Circle" #5, this time focusing on the past of Skyfox, the troublemaking cofounder of the Union.
Paul Cornell, Tony Parker and Lovern Kindzierski fill "This Damned Band" #1 with strong, well-designed characterization.
Simon Spurrier demonstrates strong characterization and growth while Kev Walker makes it all disgustingly beautiful in "Marvel Zombies" #2, a "Secret Wars" tie-in.
In "Old Man Logan" #3, a few character-driven moments are mixed in with the exploration of selected domains across Battleworld, as Brian Michael Bendis, Andrea Sorrentino and Marcelo Maiolo take advantage of the scope of "Secret Wars."
Anthony Ferrante, Dan Parent and Rick Koslowski create an over-the-cop campy crossover in "Archie vs. Sharknado" #1.
Sam Humphries makes good use of the patchwork playground that "Secret Wars" has given him, but he doesn't have quite enough story to tell in "Planet Hulk" #3, though Marc Laming makes even the slow moments look impressive.
In "Book of Death" #1, Robert Venditti scripts a grim but compelling future of the Valiant Universe amidst an otherwise passable story that's both beautifully and horrifically illustrated by Robert Gill and Doug Braithwaite.
In "Hawkeye" #22, Matt Fraction and David Aja deliver an emotional and tightly constructed conclusion to a terrific series that defines the character for a new generation.
After a strong opening sequence, Marguerite Bennett attempts a "Chosen One" scenario in "Years of Future Past" #2, while Mike Norton and FCO Plascencia deliver some pleasingly strong and consistent art.
Joshua Williamson and Luca Pizzari take a mashup of Marvel villains, pit them against Marvel Zombies and even find a way to work in the villain the series is named after in "Red Skull" #1.
Jonathan Hickman, Esad Ribic and Ive Svorcina deliver a strong, character-centered chapter in "Secret Wars" #4 that both moves the story along and serves as a great examination of Drs. Doom and Strange.
James Robinson delivers some entertaining surprises in "Age of Ultron vs. Marvel Zombies" #1, but Steve Pugh and Ron Garney deliver more consistency across a diverse array of styles.
John Romita Jr., Klaus Janson and Gene Luen Yang's introductory "Superman" #41 has its moments, but is ultimately a weakly-scripted chapter in the out-of-order "Truth" saga.
Chuck Palahniuk and Cameron Stewart uncover some new history about the man trying not to be Tyler Durden in "Fight Club 2" #2.
Bryan Hitch pulls double duty as writer and penciller, delivering a somewhat inconsistent but overall enjoyable introduction in "Justice League of America" #1.
Alex de Campi, Fernando Ruiz and Rich Koslowski prove that two vastly disparate franchises can share the same comic -- mostly -- in "Archie vs. Predator" #3.
A promising cover by Carlos Pacheco and Mariano Taibo gives way to an even deeper and more engaging character-driven story by Marc Guggenheim in "Squadron Sinister" #1.
Unwelcome plot twists partially undo Mark Millar's otherwise thrilling conclusion to "Chrononauts" #4, weakening the overall story but still showcasing time-blending excitement captured by Sean Gordon Murphy.