Waid Assembles Big Stories for "All-New All-Different Avengers"
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Joe Casey and Jim Mahfood's "Miami Vice Remix" #1 "has so much swagger that it establishes a look and vibe all its own."
Rafael Albuquerque and Mike Johnson's "EI8HT" #2 has a "rougher, grungy style... well-suited to this story."
Eric Heisserer and Felipe Massafera's "Shaper" #1 "benefits from great characterization."
In "Howard the Duck" #1, "Zdarsky and Quinones deliver no shortage of laughs in this punchy and comedic debut issue."
Jonathan Hickman & Stefano Caselli's "Avengers" #42 "remains just as engaging as -- if not more than -- many of the issues leading up to it."
Lemire and Perez's "All-New Hawkeye" #1 is "a worthy follow up to the prior series but adds a new dynamic that freshens up Hawkguy more than ever."
"Despite the shift in the story's focus, both Duane Swierczynski and Michael Gaydos evoke a darker and seedier mood" in "Black Hood" #2.
Kieron Gillen and Salvador Larroca's "Darth Vader" #2 "delivers a deeper dive into the trappings of the 'Star Wars' universe."
"Dean Motter's franchise hasn't lost any of its edge" in Dark Horse Comics' "Mister X: Razed" #1.
Morrison and Lee's "The Multiversity: Mastermen" #1 is "a superbly paced and constructed issue, balancing darkness with humor, despair with hope and human drama with high-stakes conflict."
Connor, Palmiotti and Timms' "Harley Quinn Valentine's Day Special" #1 is "a fun, harmless ode to this day of romance."
"Imperium" #1 "will give existing readers everything that they enjoyed in 'Harbinger,' and new readers will find themselves wanting to stick around."
The first arc of Marvel's new "Thor" series concludes with a "dynamically illustrated" issue with "great characterization."
In Hickman and Bodenheim's "The Dying and the Dead" #1, fans "will find plenty of grandeur here."
For James Robinson, Leonard Kirk and Karl Kesel's "Fantastic Four" #642, "more is definitely better as the team makes its grand return."
In "Ivar, Timewalker" #1, Van Lente and Henry "know what it takes to make a time-travel comic tick."
Jason Aaron, John Cassaday and Laura Martin's "Star Wars" #1 welcomes alienated readers back while impressing existing ones.
Ed Brubaker, Sean Phillips and Elizabeth Breitweiser demonstrate amazing synergy in the compelling "The Fade Out" #4.
The rock opera composer and comics artist discuss collaborating on album art, tour merchandise, stage shows, and even graphic novels
Scott Snyder & Jock's "Wytches" #3 "succeeds on its ability to stroke readers emotions based on their fears, both real-life and imaginary."
In Alex Paknadel and Eric Scott Pfeiffer's "Arcadia" #1, the end of the world is the best thing that could possibly happen to the social elite, even if their lives are nothing more than data on a hard drive.
It's all about the action, so Ales Kot and Adam Gorham deliver exactly that in "Dead Drop" #1 with an unapologetically refreshing, thrilling and fast-paced romp.
While suffering from some of the overall series' weaknesses, Jeff King and Stephen Segovia deliver a slightly stronger chapter in "Convergence" #4.
George Washington is a totally different kind of hero in the not-too-serious but capably executed "The Order of the Forge" #1 by Donn D. Berdahl, Victor Gischler and Tazio Bettin.
Scott Snyder, Greg Capullo, Danny Miki and FCO Plascencia's scholarly and intense conclusion to "Endgame" in "Batman" #40 pays tribute to past creators and the very nature of tragedies in literature.
Fabian Nicieza and ChrisCross' "Convergence: Justice League of America" #1 is a lead-up to the JLA Detroit/Tangent Secret Six showdown that no one asked for, but the tie-in is a fresh spin compared to its neighbors.
Mark Waid and Barry Kitson's tyrannical, world-dominating supervillain makes a triumphant return after a decade of publishing inactivity in "Empire: Uprising" #1.
Cullen Bunn and Tyler Crook's "Harrow County" #1 stands out as a mostly compelling horror story, an intriguing coming of age narrative and an enjoyable period piece.
Philip Tan's art is the highlight of a dark but enjoyable story by Larry Hama in "Convergence: Batman: Shadow of the Bat" #1.
Tony Bedard struggles with "Convergence: Green Lantern/Parallax" #1, which has some decent art by Ron Wagner and Bill Reinhold.
Matt Hawkins and Rahsan Ekedal combine traditional storytelling with modern day topics like megachurches and hacktivism to deliver a strong and refreshing introduction to a new series in "The Tithe" #1.
Strong characterization and beautiful art are the highlights of Todd McFarlane, Brian Holguin and Clayton Crain's "Savior" #1, a terrific example of creative synergy.
The heroines of the Justice League seem remarkably accepting of their fate in Frank Tieri and Vicente Cifuentes' "Convergence: Justice League" #1, which is held together by attractive and consistent art.
The fun and welcome return of the 90's Superman and characters from the "Flashpoint" universe plugs the implausibility of Dan Jurgens and Lee Weeks' "Convergence: Superman" #1.
A bloated and repetitive issue does little to sell the upcoming event in Dan Jurgens, Jeff King and Ethan Van Sciver's "Convergence" #0.
James Tynion IV, Noah J. Yuenkel and Matthew Fox' "UFOlogy" #1 is a compelling introduction about two teens' encounter with extraterrestrial life.
Superb layouts, clean illustrations, tense action and powerful dialogue all produce a fitting conclusion in Scott Snyder and James Tynion IV's "Batman Eternal" #52.
Kieron Gillen and Jamie McKelvie's "The Wicked + The Divine" #9 provides some historical context and one recurring character goes through an unexpected transformation.
"Hit: 1957" #1 doesn't leap to the forefront of current crime comics, but Bryce Carlson and Vanesa Del Rey's new series is nevertheless a well-characterized -- albeit verbose -- entry in the genre.
Joe Casey, Jim Mahfood and Justin Stewart give "Miami Vice Remix" #1 its own chic, striking a balance between retro- and neo-cool that gives this comic a bold and confident swagger.