In-Depth on Marvel's "Divided We Stand" and The Latest Hydra Cap Twists
Jen is from Texas, so don’t try to pass off your crappy inferior barbecue from anywhere else on her. She’s got an art and art history background, so she’s more likely than not to bore you by blabbering on about composition and depth of field. Jen been addicted to consuming sequential art since late middle school. Other hobbies include eating, baking and cooking, watching cartoons, being Asian and eagerly anticipating whatever project Joss Whedon does next.
FIRST COMIC: "X-Force" #34
FAVORITE CHARACTER: Spider Jerusalem and filthy assistants Channon and Yelena from "Transmetropolitan," Thessaly/Larissa in "Sandman," Zoe in "Morning Glories"
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Greg Rucka and Michael Lark's "Lazarus" #22 "marks a solid beginning for a new story arc."
"Sheriff of Babylon" #7's "precise structure feels artificial, but everything Tom King and Mitch Gerads put inside is fluid and naturalistic."
Jeff Lemire, Greg Smallwood and Jordie Bellaire "have made a very strong impression in only three issues" of "Moon Knight."
Tom King and Michael Walsh "enlarge the stakes and add tension to a rapidly accelerating tragedy" in "The Vision" #7.
Tom King and Mitch Gerads create "a sick feeling as the wrongs pile up" in "The Sheriff of Babylon" #6.
John Allison and Max Sarin make "Giant Days" #14 "funny through their characters' appalled reactions and also with small, absurd details."
G. Willow Wilson and Nico Leon's "sincerity and light touch are able to make mundane Hallmark-like sentiments feel meaningful again" in "Ms. Marvel" #6.
"Kelly Thompson and Sophie Campbell capitalize on opportunities that bind the music and the story more closely" in "Jem and the Holograms" #13.
Marjorie Liu and Sana Takeda's "approach in 'Monstress' #4 has already hit a great balance between the personal and the political."
John Layman and Rob Guillory's "Chew" #55 "is a delicious dish that has gotten even better with age."
Nico Leon's "page compositions and transitions complement G. Willow Wilson's dialogue with perfect timing" in "Ms. Marvel" #4.
Tom King and Gabriel Hernandez Walta's "The Vision" #4 "never loses its slow-motion-car-wreck suspense and admirably resists easy answers."
Greg Rucka and Nicola Scott pull readers into "Black Magick" #4 with "salty dialogue" and "deft use of perspective and shading."
Warren Ellis and Declan Shalvey's "world building blithely demands the reader eat and run at the same time" in "Injection" #6.
"Veronica Fish and Mark Waid's creative teamwork is exceptionally concise and eloquent" in "Archie" #5.
"Greg Rucka and Michael Lark save their biggest plot twist in 'Lazarus' #21 for the last scene, and it's a game changer."
John Layman and Rob Guillory's "Chew" #53 "maintains its happy zaniness and manic energy throughout."
"Grant Morrison and Dan Mora keep the suspense taut throughout 'Klaus' #2 with expert pacing."
Marjorie Liu and Sana Takeda's "Monstress" #2 "rewards [readers] with its luxuriant detail and ambitious breadth."
"Tom King and Gabriel Hernandez Walta's 'The Vision' #2 continues to be the big surprise in Marvel's All-New, All-Different relaunch."
Rich Tommaso's "She Wolf" #1 is an artsy take on the trope of the teenage werewolf.
In G. Willow Wilson, Takeshi Miyazawa and Adrian Alphona's "Ms. Marvel" #8, Kamala Khan chooses a side in "Civil War II."
Joe Hill and Gabriel Rodriguez's "Tales From the Darkside" #1 kicks off a new horror anthology series with a story about a lifeguard and an accidental death.
In Greg Rucka and Michael Lark's "Lazarus" #22, Johanna Carlyle plans the next moves in the War against Hock, and Malcolm Carlyle speaks from his sickbed.
In Tom King and Mitch Gerads' "The Sheriff of Babylon" #7, all the antagonism and tension that has built up over the last few issues is released in an ugly scene of "enhanced interrogation."
Robert Rodi and Jackie Lewis' "Merry Men" #1 kicks off a retelling of the legend of Robin Hood with an LGBT twist.
In Jeff Lemire and Greg Smallwood's "Moon Knight" #3, Marc Spector succeeds in leading an asylum breakout, but not all of his friends make it into New York City with him.
In Brenden Fletcher, Kelly Thompson and Daniele Di Nicuolo's "Mighty Morphin Power Rangers: Pink" #1, Kimberly Hart suits up again after her parents and the other residents of a sleepy French village mysteriously disappear.
In Charles Soule and Matteo Buffagni's Daredevil #7, Matt Murdock discovers the truth about Elektra's daughter.
In Kelly Thompson and Sophie Campbell's "Jem and The Holograms" #15, the band must find a way to stop Silica, and they both give and receive help from an unlikely ally: the Misfits.
In Warren Ellis and Roland Boschi's "Karnak" #4, Karnak infiltrates the Chapel of the Single Shadow.
William Gibson and Butch Guice's "Archangel" #1 successfully launches a tightly plotted, fast-paced science fiction thriller about a corrupt politician going back in time.
In Mark Waid and Veronica Fish's "Archie" #8, Archie fights a powerful enemy: Hiram Lodge, Veronica's dad.
In "The Vision" #7, Tom King and Michael Walsh retell the history of the Vision's romance with the Scarlet Witch, showing how what's past is prologue.
In Tom King and Mitch Gerads' "The Sheriff of Babylon" #6, another unarmed civilian dies after things go wrong.
John Allison and Max Sarin's "Giant Days" #14 takes a collegiate rite of passage -- apartment-hunting -- and turns it into a manic caper.
In Ed Brubaker and Steve Epting's "Velvet" #14, Velvet pursues a meeting with with the President of the United States, who is one of the only men still alive who can answer her questions about X-14's death.
In G. Willow Wilson and Nico Leon's "Ms. Marvel" #6, Kamala must save Jersey City from her own clones.
In Warren Ellis and Roland Boschi's "Karnak" #3, Karnak guesses the reason why the Inhuman boy was kidnapped and forces S.H.I.E.L.D. take a trip to the Chapel of the Single Shadow.
John Layman and Rob Guillory's "Chew: Demon Chicken Poyo" #1 reveals what Poyo has been up to since his death in the "Chicken Tenders" arc.