Chris Pine in Talks to Join "Wonder Woman" Film
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Greg Rucka and Cully Hamner's "Convergence: The Question" #2 is "a rare creature: an event comic that manages to foreground its own story."
Jeff Lemire and Dustin Nguyen's "Descender" #3 "is contemplative and a little melancholy but ready for wonder."
Greg Rucka & Michael Lark's "Lazarus" #16 "advances the plot, enriches the world-building and provides a quiet beat in the larger arc."
"Romance is very difficult to get right in any medium, but G. Willow Wilson and Takeshi Miyazawa nail it" in "Ms. Marvel" #14.
"Hickman and Bodenheim's comic timing and panel composition are superb" in "The Dying and the Dead" #2.
Becky Cloonan, Brenden Fletcher, Karl Kerschl and Mingue Helen Chen's "Gotham Academy" #6 is "light, bright and full of mischievous promise."
John Allison and Lissa Treiman "create a fresh start for this new miniseries" in "Giant Days" #1.
"The excellence of the visual storytelling makes Cameron Stewart, Brenden Fletcher and Bengal's 'Batgirl: Endgame' #1 worth checking out."
As Soule and Pulido's "She-Hulk" concludes with its 12th issue, the series' ending is "saccharine, but not bad words to live by, like most classic morals."
Despite some hit-or-miss execution, Thompson and Lee's "Silk" #1 "has strong humor and unusually fine attention to psychological realism."
"The Sculptor," which marks Scott McCloud's long-awaited return to comics, is "unpredictable and enjoyably complex."
John Layman and Rob Guillory's "Chew" #45 is a strong issue that contains "one of the biggest shocks" in the series' history.
Ed Brubaker & Steve Epting's "Velvet" #8 is "suspenseful from start to finish due to great creative teamwork" from the entire team.
John Layman & Rob Guillory "still deliver on jokes and characterization, while serving up an unprecedented level of non-comedic carnage" in "Chew" #44.
G. Willow Wilson and Adrian Alphona's "Ms. Marvel" #9 continues the series' strong run with "addictively good characterization and dialogue."
Charles Soule and Javier Pulido's "She-Hulk" #8 is a "smooth, very enjoyable opening to a new story arc."
Peter David and Will Sliney's "Spider-Man 2099" #1 is "a solid debut, and will appeal both to existing fans of the character and new readers."
The milestone issue of "X-Men Legacy" by Simon Spurrier, Mike Carey & Christos Gage is appropriately "about what it means to leave a legacy."
Kieron Gillen, Jamie McKelvie and a host of guest artists present "Young Avengers" #14, with "a pitch-perfect party moment" for the cast.
"Alex + Ada" creators Jonathan Luna and Sarah Vaughn's "have followed up on a promising debut with an even better second issue."
In Chip Zdarsky and Kagan McLeod's "Kaptara" #2, Keith Kanga tries to settle into his new life on Kaptara, but politics and guilt interfere with his plan to ignore his home planet.
Cullen Bunn and Matteo Lolli's "Deadpool's Secret Secret Wars" #1 humorously retcons the original 1984 event by giving the Merc With A Mouth a starring role.
"Lady Killer" #5 by Joelle Jones and Jamie Rich wraps up the story with nonstop action as Josie and Ruby attend the Seattle World's Fair to match wits and weapons with fellow assassins.
"The Mantle" #1 by Ed Brisson and Brian Level has a well-executed last-page twist that will upend readers' expectations about superhero stories.
In "Convergence: The Question" #2 by Greg Rucka and Cully Hamner, the better man wins the battle, and Renee Montoya makes her peace with her father.
In Jeff Lemire and Dustin Nguyen's "Descender" #3, Tim-21 has a near-death experience and meets his maker.
"Convergence: Plastic Man and the Freedom Fighters" by Simon Oliver and John McCrea explores New York after it is taken over by Nazis while the city is under the Dome.
"Morning Glories" #45 by Nick Spencer and Joe Eisma reveals what Jade's deal is and why so she's special, even among all the extraordinary kids at Morning Glories Academy.
"Lazarus" #16 by Greg Rucka and Michael Lark is an unexpected, self-contained story about a character who is on the sidelines until war breaks out between Hock and Carlyle, activating her sleeper agent status and awakening her doubts.
In "Convergence: New Teen Titans" #1 by Marv Wolfman and Nicola Scott, the Teen Titans are pitted against the Doom Patrol to kill or be killed, while Nightwing and Starfire come close to breaking up.
In "Ms. Marvel" #14 by G. Willow Wilson and Takeshi Miyazawa, Kamala sneaks out at night to hang out with Kamran, but he may not be as perfect as he seems.
"Convergence: Aquaman" #1 by Tony Bedard and Cliff Richards brings back Peter David's Aquaman, an Arthur/Orin who is married to Mera and has a harpoon as his left hand.
In "Southern Cross" #2 by Becky Cloonan and Andy Belanger, Alex's investigation into her sister's death is sidelined when her roommate Erin goes missing.
"Convergence: Batgirl" #1 by Alisa Kwitney, Rick Leonardi and Mark Pennington marks the return of both Cassandra Cain and Stephanie Brown as Batgirls, and Gotham's choice of who is named a champion is a surprise to at least one of them.
What's worse than learning that Hydra has tampered with the time stream? In Mike Costa, Mast, Geoffo and Carmine Di Giandomenico's "Avengers Millennium" #1, the Avengers discover the answer.
In "The Dying and the Dead" #2 by Jonathan Hickman and Ryan Bodenheim, the Colonel raids a retirement home and a prison to find his old war buddies in order to retrieve the Bah al'Sharur.
In "Gotham Academy" #6 by Becky Cloonan, Brenden Fletcher, Karl Kerschl and Mingue Helen Chen, Olive chooses sides when Batman fights Croc and another link between the Academy and Arkham Asylum is revealed.
In "Legendary Star-Lord" #10 by Sam Humphries, Paco Medina and Juan Vlasco, Star-Lord realizes his mistake as Mister Knife gets revenge on Spartax and begins his plans to build an empire in one move.
In "Giant Days" #1, Esther tries to stay drama-free for three days, Susan gets an unwelcome blast from the past and Daisy tells her friends a funny secret.
In "Batgirl: Endgame" #1 by Cameron Stewart, Brenden Fletcher and Bengal is a small battle in the larger war but worth picking up for the near-silent visual storytelling.