EXCLUSIVE: "Arrow" Brings Back Amy Gumenick as Cupid
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Dan Slott and Matteo Buffagni's "Amazing Spider-Man" #7 shows "how strong this series has been to date, while its twists make it stand apart."
Brian Michael Bendis and Sara Pichelli's "Spider-Man" #1 is "a worthy introduction... an excellent start to a new series."
Mark Waid and Mahmud Asrar's Avengers team "is still recognizable and just as fun" in "All-New, All-Different Avengers" #4.
Jody Houser, Francis Portela and Marguerite Sauvage's "Faith" #1 "is the charming continuation of a character who definitely deserved her own series."
McKeever "takes the odd characters from his world and turns them into strange and often hilarious caricatures" in "Pencil Head" #1.
Dennis Hopeless and Mark Bagley's "All-New X-Men" #3 "is a pleasant reminder that the X-Men don't have to be about revolutions and genocidal agendas."
Jason Aaron and Russell Dauterman's "Mighty Thor" #3 "is indeed all-new and all-different, but the beautiful and intense storytelling is the same."
Jonathan Hickmand and Esad Ribic "wrap up the cosmos-crossing epic... with a surprisingly human but ultimately fitting showdown" in "Secret Wars" #9.
Len Wein and Kelley Jones "take a simple approach to introduce a conflict which fits right in with the character's classic vibe" in "Swamp Thing" #1.
Max Bemis and Michael Walsh's "X-Men: Worst X-Man Ever" #1 "is one of the better, if more offbeat, X-Men stories among the latest relaunch."
The rock composer and veteran artist collaborate to combine comic storytelling with an all-new album.
"Gail Simone and Jim Calafiore sell the superheroes-gone-bad motif to both new readers and those anxious for a sequel" in "Surviving Megalopolis" #1.
"Sam Humphries and Mike Del Mundo know exactly what they need to do to keep readers engaged, and they do an amazing job of it" in "Weirdworld" #1.
Brian K. Vaughan and Steve Skroce's "We Stand On Guard" #6 "has its share of surprises and keeps readers thinking even after it's all over."
Kieron Gillen and Angel Unzueta's "Star Wars Annual" #1 is "a nice departure from the main series."
Charles Soule, Langdon Foss and more "frame a series of funny and feel-good holiday features" in "Gwenpool Special" #1.
Jason Aaron and Chris Bachalo's "Doctor Strange" #3 "is a wonderful reminder of how awesome comic books can be."
Robbie Thompson and Nick Bradshaw's "friendly, accessible and done-in-one 'Spidey' #1 is jammed with fights, friends and frenemies."
Charles Soule and Ron Garney's "Daredevil" #1 is "a return to basics of sorts, albeit with a couple of twists that keep it from seeming derivative."
Mark Waid and Annie Wu's "Archie" #4 "shows just how effectively the reimagining lends itself to more modern and varied storytelling techniques."
Spidey faces Mr. Negative and a cleverly altered Cloak & Dagger in Dan Slott and Matteo Buffagni's "Amazing Spider-Man" #7.
Brian Michael Bendis and Mike Deodato's "Invincible Iron Man" #6 features a stagnant story, contrived character involvement and art containing some surprising lapses.
Brian Michael Bendis and Sara Pichelli introduce Miles Morales to the Main Marvel Universe and establish him in a new, yet familiar setting in "Spider-Man" #1.
James Asmus, Charles Soule, Stefano Caselli and Andres Mossa continue to cement the identities of both the team and its members while maintaining tension, even during slower moments, in "All-New Inhumans" #3.
After establishing the team, Mark Waid focuses on building character in "All-New, All-Different Avengers" #4 and scales back the team's budget as he and Mahmud Asrar make both the grand and the bland a lot of fun.
Jody Houser, Francis Portela and Marguerite Sauvage make "Faith" #1 a delightful look at a kind-natured superhero whose life adventures are as fun as her super ones.
Charles Soule and Steve McNiven deliver a visually appealing but empty conclusion to the series' first arc in "Uncanny Inhumans" #4.
IDW Publishing picks up Erick Freitas and Ulises Farinas' eclectic digital anthology in "Amazing Forest" #1.
Ted McKeever's delightfully offbeat and semi-autobiographical "Pencil Head" #1 will resonate with anyone just trying to make a living.
Dennis Hopeless and Mark Bagley's "All-New X-Men" #3 is a pleasantly fun and attractive issue where the good guys really do win.
Jason Aaron and Russell Dauterman reintroduce the Prince of Lies in the tensely scripted and beautifully detailed "Mighty Thor" #3.
Jonathan Hickman and Esad Ribic wrap up an epic story in "Secret Wars" #9, which lays the groundwork for a new Marvel Universe and brings a satisfying conclusion to Hickman's "Avengers" run.
Cullen Bunn and Greg Land's "Uncanny X-Men" #1 suffers from a generally unlikeable cast and a team that seems to be more primed for a photo shoot than a street battle.
Len Wein returns to the character he co-created with fellow veteran Kelley Jones in "Swamp Thing" #1, which uses simple and solid storytelling punctuated with beautifully creepy illustrations.
Charles Soule and Marco Checchetto have a good handle on characterization in "Obi-Wan and Anakin" #1, but the setting and circumstance don't pack the same punch.
Max Bemis and Michael Walsh take the emotional extremes of being a teen, throw in the notion of mutant powers and tell a very human and often emotional story in "X-Men: Worst X-Man Ever" #1.
Bryan Hitch's story about a Kryptonian God's arrival on Earth approaches its conclusion, but "Justice League of America" #6 doesn't pack much punch.
Jen Van Meter and Roberto De La Torre return for "The Death-Defying Doctor Mirage: Second Lives" #1, but the emotion and intimacy falls a little short and the story feels convoluted with the addition of so many new characters.
Gail Simone and Jim Calafiore return to the city they created in "Leaving Megalopolis: Surviving Megalopolis" #1, a compelling and richly drawn introduction to the sequel.
James Robinson and Leonard Kirk assemble a strong roster for "Squadron Supreme" #1 but deliver a somewhat one-dimensional story with some moments of disbelief.