Harry Shearer To Return To "The Simpsons"
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Joshua Williamson and Luca Pizzari's "Red Skull" #1 creates "some cool twists on almost-familiar characters that are part of a punchy introductory chapter."
Jonathan Hickman and Esad Ribic's "Secret Wars" #4 i"s full of micro-level character defining moments that... make for high midterm marks."
Chuck Palahniuk and Cameron Stewart "find new elements to explore that few had even realized existed" in "Fight Club 2" #2.
Hitch's "Justice League of America" #1 "has a few blemishes but it's a strong start to a new and worthwhile companion series... to 'Justice League.'"
"The strong characterization makes a case for Marc Guggenheim and Carlos Pacheco's 'Squadron Sinister' to stick around."
Robert Venditti and CAFU's "X-O Manowar: Valiant 25th Anniversary Special" #1 is "a key moment in the character's history."
Jason Aaron and Mike Del Mundo's "Weirdworld" #1 "is one of the most fertile and opulent 'Secret Wars' tie-ins thus far."
Dan Jurgens and Bernard Chang's "Batman Beyond" #1 "smoothly blends elements from both the current and future Bat-mythos."
Marc Guggenheim and Carmine Di Giandomencio "X-Tinction Agenda" #1 "is what such an event spinoff should be: accessible and enjoyable."
Tom DeFalco, Dan Parent, Rich Koslowski, Fernando Ruiz, Tim Kennedy and Pat Kennedy's "Archie" #666 is "not a farewell, but a tribute to the franchise."
Mark Waid and Peter Krause "prove that there are still good and original superhero stories left to be told" in "Insufferable" #1.
In "Injection" #1, "Warren Ellis and Declan Shalvey establish a basis for the series that makes it attractive enough to lure readers back."
Frank Barbiere and Christopher Peterson's "Broken World" #1 is "an amazingly strong start."
Alex Paknadel and Eric Scott Pfeiffer's "Arcadia" #1 has "a script that throws in some surprises combined with some darkly fascinating art."
Ales Kot and Adam Gorham's "Dead Drop" #1 is "a refreshing rollercoaster of an introduction."
Scott Snyder & Greg Capullo's "Batman" #40 is "a fiery, violent and game changing climax that opens up new possibilities for the protector of Gotham."
Mark Waid and Barry Kitson's "Empire: Uprising" #1 is "the welcome and triumphant return of a long-missed series."
Cullen Bunn and Tyler Crook's "Harrow County" #1 is "an enticing enough start that blends a couple of diverse genres with a distinct setting that helps overcome its weak points."
Matt Hawkins and Rahsan Ekedal's "The Tithe" #1 is "a strong and approachable story with a fresh flavor."
Todd McFarlane, Brian Holguin and Clayton Crain's "Savior" #1 has "strong characterization and beautiful art."
After a strong opening sequence, Marguerite Bennett attempts a "Chosen One" scenario in "Years of Future Past" #2, while Mike Norton and FCO Plascencia deliver some pleasingly strong and consistent art.
Joshua Williamson and Luca Pizzari take a mashup of Marvel villains, pit them against Marvel Zombies and even find a way to work in the villain the series is named after in "Red Skull" #1.
Jonathan Hickman, Esad Ribic and Ive Svorcina deliver a strong, character-centered chapter in "Secret Wars" #4 that both moves the story along and serves as a great examination of Drs. Doom and Strange.
James Robinson delivers some entertaining surprises in "Age of Ultron vs. Marvel Zombies" #1, but Steve Pugh and Ron Garney deliver more consistency across a diverse array of styles.
John Romita Jr., Klaus Janson and Gene Luen Yang's introductory "Superman" #41 has its moments, but is ultimately a weakly-scripted chapter in the out-of-order "Truth" saga.
Chuck Palahniuk and Cameron Stewart uncover some new history about the man trying not to be Tyler Durden in "Fight Club 2" #2.
Bryan Hitch pulls double duty as writer and penciller, delivering a somewhat inconsistent but overall enjoyable introduction in "Justice League of America" #1.
Alex de Campi, Fernando Ruiz and Rich Koslowski prove that two vastly disparate franchises can share the same comic -- mostly -- in "Archie vs. Predator" #3.
A promising cover by Carlos Pacheco and Mariano Taibo gives way to an even deeper and more engaging character-driven story by Marc Guggenheim in "Squadron Sinister" #1.
Unwelcome plot twists partially undo Mark Millar's otherwise thrilling conclusion to "Chrononauts" #4, weakening the overall story but still showcasing time-blending excitement captured by Sean Gordon Murphy.
In a single standalone issue, Robert Venditti and CAFU span millennia and the origin of the X-O Manowar armor in "X-O Manowar: Valiant 25th Anniversary Special" #1.
Jason Aaron and Mike Del Mundo cobble together elements from the Marvel multiverse that don't fit anywhere else within "Secret Wars" and build a splendidly rich, darkly beautiful world of fantasy adventure in "Weirdworld" #1.
Skottie Young delivers a few kid-size laughs while never being worse than amusing in the form of "Giant Size: Little Marvels: AvX" #1.
Dan Jurgens, Bernard Chang and Marcelo Maiolo begin to beautifully integrate a once-benign character into the mainstream DC Universe in "Batman Beyond" #1, smoothly blending elements from both the current and future Bat-mythos.
Marc Guggenheim and Carmine Di Giandomenico take readers on a welcome return to a classic X-Men storyline in "X-Tinction Agenda" #1, a "Secret Wars" tie-in that works well both within the confines of that event as well as on its own.
Tom DeFalco, Dan Parent, Rich Koslowski, Fernando Ruiz, Tim Kennedy and Pat Kennedy's "Archie" #666 is not a farewell, but a tribute to the decades old franchise, with the usual hijinks faithfully rendered in traditional style.
Joshua Williamson and Mike Henderson go for straightforward action while Ed Brisson and Scott Hepburn go more for laughs in "Secret Wars: Battleworld" #1.
Mark Waid and Peter Krause's "Insufferable" #1 is anything but. This modern but dysfunctional spin on the superhero/sidekick motif has a fresh feel despite its genre, and storytelling shifts keep it moving quickly enough to engage.
"Oh, Killstrike" #1, Max Bemis and Logan Faerber's ode to the loved and loathed superhero comics of the 1990s, is part serious, part humorous and mostly fun.
Trevor Crafts and Bruce Boxleitner's story about workers rising against the elite has been done, but not as beautifully as Paul Jenkins, Matthew Daley, and Carlos Magno's "Lantern City" #1.