Soule Finds a Weakness in the Afterlife, Discusses Surprise "Inhuman" Return
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Snyder, Tynion, Pansica, Ferreira & crew's "Batman Eternal" #52 is a "tense and satisfying finish to the far-reaching and game changing arc."
Kieron Gillen and Jamie McKelvie's "The Wicked + The Divine" #9 becomes "even more engaging as the characters continue to be explored."
Joe Casey and Jim Mahfood's "Miami Vice Remix" #1 "has so much swagger that it establishes a look and vibe all its own."
Rafael Albuquerque and Mike Johnson's "EI8HT" #2 has a "rougher, grungy style... well-suited to this story."
Eric Heisserer and Felipe Massafera's "Shaper" #1 "benefits from great characterization."
In "Howard the Duck" #1, "Zdarsky and Quinones deliver no shortage of laughs in this punchy and comedic debut issue."
Jonathan Hickman & Stefano Caselli's "Avengers" #42 "remains just as engaging as -- if not more than -- many of the issues leading up to it."
Lemire and Perez's "All-New Hawkeye" #1 is "a worthy follow up to the prior series but adds a new dynamic that freshens up Hawkguy more than ever."
"Despite the shift in the story's focus, both Duane Swierczynski and Michael Gaydos evoke a darker and seedier mood" in "Black Hood" #2.
Kieron Gillen and Salvador Larroca's "Darth Vader" #2 "delivers a deeper dive into the trappings of the 'Star Wars' universe."
"Dean Motter's franchise hasn't lost any of its edge" in Dark Horse Comics' "Mister X: Razed" #1.
Morrison and Lee's "The Multiversity: Mastermen" #1 is "a superbly paced and constructed issue, balancing darkness with humor, despair with hope and human drama with high-stakes conflict."
Connor, Palmiotti and Timms' "Harley Quinn Valentine's Day Special" #1 is "a fun, harmless ode to this day of romance."
"Imperium" #1 "will give existing readers everything that they enjoyed in 'Harbinger,' and new readers will find themselves wanting to stick around."
The first arc of Marvel's new "Thor" series concludes with a "dynamically illustrated" issue with "great characterization."
In Hickman and Bodenheim's "The Dying and the Dead" #1, fans "will find plenty of grandeur here."
For James Robinson, Leonard Kirk and Karl Kesel's "Fantastic Four" #642, "more is definitely better as the team makes its grand return."
In "Ivar, Timewalker" #1, Van Lente and Henry "know what it takes to make a time-travel comic tick."
Jason Aaron, John Cassaday and Laura Martin's "Star Wars" #1 welcomes alienated readers back while impressing existing ones.
Ed Brubaker, Sean Phillips and Elizabeth Breitweiser demonstrate amazing synergy in the compelling "The Fade Out" #4.
James Tynion IV, Noah J. Yuenkel and Matthew Fox' "UFOlogy" #1 is a compelling introduction about two teens' encounter with extraterrestrial life.
Superb layouts, clean illustrations, tense action and powerful dialogue all produce a fitting conclusion in Scott Snyder and James Tynion IV's "Batman Eternal" #52.
Kieron Gillen and Jamie McKelvie's "The Wicked + The Divine" #9 provides some historical context and one recurring character goes through an unexpected transformation.
"Hit: 1957" #1 doesn't leap to the forefront of current crime comics, but Bryce Carlson and Vanesa Del Rey's new series is nevertheless a well-characterized -- albeit verbose -- entry in the genre.
Joe Casey, Jim Mahfood and Justin Stewart give "Miami Vice Remix" #1 its own chic, striking a balance between retro- and neo-cool that gives this comic a bold and confident swagger.
Brandon Seifert and menton3 put together a stylish continuation of a nigh-forgotten property with "The Fly: Outbreak" #1, although it has some of the failings of the movie sequel that it stems from.
Rafael Albuquerque and Mike Johnson's "EI8HT" #2 introduces a new plot thread and advances the previous one but breaks away to explore the circumstance of a far-off land.
Eric Heisserer, Felipe Massafera and Wes Dzioba's "Shaper" #1 benefits from great characterization and makes a somewhat familiar idea unique.
Paul Jenkins, JonBoy and Todd McFarlane's "Spawn Resurrection" #1, features the official return of Al Simmons, even if it doesn't add much to the overall storyline.
Chip Zdarsky and Joe Quinones collaborate with impressive creative and comic synergy in "Howard the Duck" #1.
Walter Simonson takes on the Norse God of Thunder in "Ragnarök" #4 for a vibrant and exciting comic.
Jonathan Hickman's epic storyline confidently rolls towards its conclusion in "Avengers" #42 as Stefano Caselli and Frank Martin capture an attractive and fascinating array of personas and technology.
Jeff Lemire and Ramón Pérez cue up an impressive debut with "All-New Hawkeye" #1, a worthy follow up to the prior series which adds a new dynamic that freshens up Hawkguy more than ever.
Duane Swierczynski and Michael Gaydos step back from the focus on the main character and "Black Hood" #2 suffers a bit because of it, but it is still a dark and immersive chapter of this pseudo-hero.
The Dark Lord of the Sith is forced to serve another, but that doesn't make him any less sinister in the beautifully illustrated "Darth Vader" #2 by Kieron Gillen and Salvador Larroca.
Dean Motter returns with his mysterious architect-turned-detective in two striking, superbly executed holiday-themed tales in "Mister X: Razed" #1.
Jody Houser and Szymon Kudranski join TV series writers Graeme Manson and John Fawcett for the accessible "Orphan Black" #1, but it's more of an adaptation than an expansion.
Brian Wood and Greg Smallwood bid the series adieu with "Moon Knight" #12, providing a well-structured and satisfying finale that compares the changing fortunes of hero and villain while setting up a new status quo.
Grant Morrison delivers an accessible entry to his event in the excellent "The Multiversity: Mastermen" #1, while Jim Lee provides disturbing imagery of a defeated America and an uncomfortable but conflicted Nazi incarnation of Superman.
A dirty oil field in a war-ravaged land may not be pretty, but Michael Moreci, Tim Daniel and Colin Lorimer revel in that in the well-characterized and appropriately grimy "Burning Fields" #2.