"Sam Wilson" & US Agent Clash as Spencer's "Captain America" Saga Escalates
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The acclaimed writer/artist travels to Riverdale for "Betty & Veronica" #1 and brings with him a little bit of Bayside attitude.
Simon Oliver and Moritat's "Hellblazer: Rebirth" #1 is the most deliberate and successful attempt to evoke the spirit of the original "Hellblazer" series.
Bryan Hitch, Tony S. Daniel and Sandu Florea's "Justice League" #1 feels like an epic feel like a summer movie transformed into a print event.
In "The Vision" #9, Victor must deal with the fallout of Vin's shocking discovery, and it goes as badly as you'd expect.
Not a lot happens in "Hal Jordan and the Green Lantern Corps: Rebirth" #1, but it's so cosmically cool readers won't care.
Tim Seeley & Yanick Paquette build on past glories, celebrating pre-Flashpoint aspects of the character while setting the stage for all-new challenges and foes.
"The Flintstones" #1 is a postmodern look at the Modern Stone Age Family that's a must-read for old fans and newcomers alike.
Dan Abnett, Scot Eaton and Wayne Faucher's "Aquaman" #2 goes down a far more interesting road than its first issue.
Bryan Hitch's "Justice League: Rebirth" #1 finds a balance between existing as part of the DC Universe and telling its own independent story.
"Brenden Fletcher and Annie Wu tell a story that uses the visual language of comics with great success" in "Black Canary" #7.
Mark Waid and Mahmud Asrar's Avengers team "is still recognizable and just as fun" in "All-New, All-Different Avengers" #4.
Jody Houser, Francis Portela and Marguerite Sauvage's "Faith" #1 "is the charming continuation of a character who definitely deserved her own series."
Simon Spurrier and Ryan Kelly's "Cry Havoc" #1 features "a brilliant coloring scheme, vigorous art and memorable, layered characters."
"The Carol Corps will find their hero the same and even better" in Michele Fazekas, Tara Butters and Kris Anka's "Captain Marvel" #1.
Scott Snyder, Greg Capullo's "Batman" #48 "takes the double-cliffhanger from last month... and makes both situations even tenser."
McKeever "takes the odd characters from his world and turns them into strange and often hilarious caricatures" in "Pencil Head" #1.
"The second volume of Dan Slott and Mike Allred's 'Silver Surfer' looks to be just as colorful, creative and warm-hearted as the first."
Warren Ellis and Declan Shalvey's "world building blithely demands the reader eat and run at the same time" in "Injection" #6.
Mark Millar and Rafael Albuquerque's "Huck" #3 "is another charming issue... [with] art that quietly steals the show."
Robert Kirkman and Charlie Adlard "create a dramatic and life-changing comic at a relatively small scale" in "The Walking Dead" #150.
Dennis Hopeless and Mark Bagley's "All-New X-Men" #3 "is a pleasant reminder that the X-Men don't have to be about revolutions and genocidal agendas."
Jason Aaron and Russell Dauterman's "Mighty Thor" #3 "is indeed all-new and all-different, but the beautiful and intense storytelling is the same."
Max Landis and Joelle Jones' "Superman: American Alien" #3 "is a perfect example of everything that a relaunch should give its readers."
"Renae De Liz and Ray Dillion breathe new life into an old tale with 'The Legend of Wonder Woman' #1."
"If you grew up with the show, then Kyle Higgins and Hendry Prasetya's 'Mighty Morphin Power Rangers' #0 is worth a pickup."
Jonathan Hickmand and Esad Ribic "wrap up the cosmos-crossing epic... with a surprisingly human but ultimately fitting showdown" in "Secret Wars" #9.
Kelly Sue DeConnick and Taki Soma's "Bitch Planet" #6 "is another excellent installment in an awesomely angry series."
"Veronica Fish and Mark Waid's creative teamwork is exceptionally concise and eloquent" in "Archie" #5.
In Brian K. Vaughan and Cliff Chiang's "Paper Girls" #4, "there's a level of skepticism and wariness that feels refreshing and real."
Len Wein and Kelley Jones "take a simple approach to introduce a conflict which fits right in with the character's classic vibe" in "Swamp Thing" #1.
Jason Aaron and Chris Bachalo find "a good approach that keeps things appropriately weird but don't lose sight of its menace" in "Doctor Strange" #4.
Tom King and Gabriel Hernandez Walta's "The Vision" #3 is "brilliant in how well it still fits in with... the rest of Marvel's comics."
The conclusion of Ed Brubaker and Sean Philips' noir Hollywood mystery series "The Fade Out" will "hit you like a ton of bricks."
Max Bemis and Michael Walsh's "X-Men: Worst X-Man Ever" #1 "is one of the better, if more offbeat, X-Men stories among the latest relaunch."
Joe Kelly and Ed McGuinness' "Spider-Man/Deadpool" #1 is "funny, action-packed and... accessible."
"Greg Rucka and Michael Lark save their biggest plot twist in 'Lazarus' #21 for the last scene, and it's a game changer."
"Geoff Johns finds a way to get in a few more character-focused moments, and Jason Fabok shows off his playful side" in "Justice League" #47.
Kelly Thompson and Corin Howell's "Jem and the Holograms" #10 "is another victory for a series far more enjoyable than one might have ever thought."
Tom King, Barnaby Bagenda and Ig Guara's "The Omega Men" #7 "blows its competition out of the water."
John Layman and Rob Guillory's "Chew" #53 "maintains its happy zaniness and manic energy throughout."