REVIEW: "DC Universe: Rebirth" #1 Makes the Future of DC Comics Look Genuinely Bright
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Current "Xena" artist Ariel Medel talks with his collaborator Ron Marz, and shares his circuitous journey breaking into the U.S. comics market.
A conversation with Richard Clark, a relative newcomer to comics, reminds Ron Marz what makes the comics business such a special one.
With DC's "Rebirth" titles impending, Ron Marz recounts his own experiences juggling scripts on comics that shipped more frequently than monthly.
New characters are sometimes born of editorial mandates, and Ron Marz recounts writing a trio of Marvel Annuals designed to satisfy that desire.
Ron Marz figured out a few things about writing comics over two-plus decades and compiled a list of things you always should and should not do.
Ande Parks is essentially staying at Hogwarts castle, and Ron Marz finds out how a Midwestern writer/artist wound up living like a king in England.
Is the Force still with you if your stories are no longer canon? Ron Marz examines what does & doesn't "count" when it comes to Star Wars continuity.
Ron Marz talks to rookie writer Phillip Kennedy Johnson about his path to breaking in with his new BOOM! series "Last Sons of America."
Ron Marz writes about this week's "The Protectors" from Athlitacomics, and his experience translating comic pages into Madefire's Motion Books app.
Ron Marz pages through the recent "Cosmic Powers" trade paperback, collecting Thanos-centric stories he wrote more than twenty years ago.
In a special Veterans Day column, Ron Marz shares a very personal comic story about his father, a decorated war veteran.
Comics were once were verboten in libraries, but some branches are now putting on their own comic conventions. Ron Marz talks to two librarians about the trend.
Ron Marz has signed a lot of autographs over his career. This week, he wrestles with the notion of creators charging for their signatures at conventions.
This week, Ron Marz reviews the current state of comic reviews, and suggests some needed improvements to raise the level of sequential discourse.
Ron Marz touches the roots of his writing inspiration by visiting an Edgar Rice Burroughs fan gathering, and asks for your help with big cat conservation.
Ron Marz has been working at home nearly all of his writing career. This week, he shares lessons learned about making "work at home" work for you.
Ron Marz writes about his recent tour of Pixar Animation Studios, and the huge injection of inspiration he received thanks to his visit.
Ron Marz avoided co-writing for most of his career, but two recent project have him rethinking his views on sharing the credits box.
Ron Marz continues a look at his personal sketchbook, with art by comics stars including John Romita Sr., Dan Jurgens, Ron Lim, Phil Hester and Stjepan Sejic.
This week and next, Ron Marz opens up his personal sketchbook, exclusively showing off art that friends have created over his career.
Ron Marz likens a career to links in a chain, tracing a current project's connections back two decades to a football game, then gives advice on forging your own chain.
Ron Marz writes about the unexpected passing of his friend and longtime Marvel artist Herb Trimpe, and makes a plea for comics to do a better job of honoring its elders.
As DC Comics winds up its time in New York City and heads west, Ron Marz recalls his time spent at the offices, and the people who made it feel like home.
How much research is too much for your writing? How much is too little? Ron Marz brings his years of writing experience to bear on the question.
Ron Marz dips into his trove of CrossGen tales to spin a few more yarns of the late, lamented publisher, and show off some lost art.
Ron Marz talks with Indian artist Abhishek Malsuni, his "John Carter: Warlord of Mars" collaborator, about his career and breaking into US comics.
This week, Ron Marz writes about an aspect of creating comics that's not often discussed -- custom comics, including his current project for Panasonic.
Ron Marz talks about the challenges of bringing the best-selling "Skylanders" franchise to comics, and writing comics aimed at kids.
Ron talks to his friend and artist Mike McKone, who has literally been living on the road since last year, traveling from convention to convention.
Back from an trip to Hyderabad, India for a comic convention, Ron writes about his experiences, as well as his impressions of the Indian comic scene.
Ron Marz talks to his friend Anthony Williams about being a "deadline-saver" artist, and the effect it had on his comics career.
In light of his "John Carter: Warlord of Mars" gig, Ron Marz discusses pursuing what you love and exclusively reveals a new story due next year.
As Jack Kirby's birthday approaches, Ron writes about discovering Jack's work, missing out on meeting him, and offers a way to toast the King of Comics.
Ron Marz wrote four different comics that were released yesterday, and shows off some exclusive, alternative pages from one, "The Shadow Over Innsmouth."
After 20 years away, Ron Marz goes back to the golf course to find his Other Thing, his respite from writing.
No column last week, because Ron's wife was out of town. This week, the necessity of having a partner who makes your creative life possible.
Receiving a copy of the new "StormWatch" collection from Jim Starlin jogs Ron Marz's memories of his own stint writing the title in its Image Comics incarnation.
Ron reveals a very personal story he wrote about his father's life, war-time experiences and death from pancreatic cancer. Plus exclusive Rick Leonardi art.
Ron Marz's first comics love was with superhero teams, and he's recapturing that feeling in "The Protectors," debuting at C2E2, and shares exclusive art!
This week, Ron draws inspiration from an interview with "Community" creator Dan Harmon, and catalogs his own creative influences.